“Folding Daisies ” storyboard


(01) Folding Daisies Every visual element, from hand-drawn frames to glitch patterns, was crafted to feel raw and immediate
The project was created in just two weeks during a time of personal isolation, using live-action videos I had filmed with friends at different points in my life. Those clips became the base for rotoscoping, reimagining memories as motionAn animatic was edited to the beat in Premiere Pro, then animated frame by frame in Procreate and finalized back in Premiere with hand-made glitch effects and textures. What began as an exercise became a way to reconnect with people and memories, translated into rhythm and motion







(02) DonQuijoteEvery visual element, from hand-drawn frames to glitch patterns, was crafted to feel raw and immediate
The project was created in just two weeks during a time of personal isolation, using live-action videos I had filmed with friends at different points in my life. Those clips became the base for rotoscoping, reimagining memories as motionAn animatic was edited to the beat in Premiere Pro, then animated frame by frame in Procreate and finalized back in Premiere with hand-made glitch effects and textures. What began as an exercise became a way to reconnect with people and memories, translated into rhythm and motion









(03) Latex GuyEvery visual element, from hand-drawn frames to glitch patterns, was crafted to feel raw and immediate
The project was created in just two weeks during a time of personal isolation, using live-action videos I had filmed with friends at different points in my life. Those clips became the base for rotoscoping, reimagining memories as motionAn animatic was edited to the beat in Premiere Pro, then animated frame by frame in Procreate and finalized back in Premiere with hand-made glitch effects and textures. What began as an exercise became a way to reconnect with people and memories, translated into rhythm and motion









(04) Or NotEvery visual element, from hand-drawn frames to glitch patterns, was crafted to feel raw and immediate
The project was created in just two weeks during a time of personal isolation, using live-action videos I had filmed with friends at different points in my life. Those clips became the base for rotoscoping, reimagining memories as motionAn animatic was edited to the beat in Premiere Pro, then animated frame by frame in Procreate and finalized back in Premiere with hand-made glitch effects and textures. What began as an exercise became a way to reconnect with people and memories, translated into rhythm and motion